I don’t know how to explain once more that I have been so unfocused my fixations are drifting. There is no one thing to write about because I have watched like 5-10 different things in the past two weeks. Some of which I can hardly even remember.
At this point I have abandoned NCIS, strangely to my own disappointment, but with all the announcements lately I want to finish it. I really do. I want to be all caught up. I just have watched no more.
As for everything else? Well, let’s go through the most notable.

Carmilla
We finished it!
I and my friend sat down last week and finished this little masterpiece with much joy. We both agree the movie is phenomenal.
Carmilla has a list of posts to come in due time looking at it in more detail as discussed. They remain a constant love and so surely will not be abandoned, but, please, do remain patient.
For now, though, we watched the last half of Season 3 and then the movie in one afternoon. It was quite worth it as always. I have then myself watched Carmilla twice over the last month and neither time was it a wasted effort. It continues to bring me joy even when other things struggle to, and for that I am thankful I ever found it those maybe five years ago now. It’s a lovely little piece of media, and ever so easy to watch – even when it’s making me cry.
I will say this of The Carmilla Movie, though. I’m all for the fact that the Series barely addresses the ‘Eternally Young Immortal Creature of the Night and Human’ pairing. They already had enough going on both in terms of saving the world and relationship drama, no need to add to that, right? Then they fix the issue in the finale by making Carm mortal again, and she didn’t even ask for it! I mean of the examples of such relationships we’ve had in the past, it’s fairly good representation of it. They were just in love and no one was moaning about the fact they were getting older and their boyfriend wasn’t (I think we all know who I’m eyeing). Having Carmilla never ask for mortality, or Laura immortality, focuses their relationship on them as people rather than their biology. Then Carmilla receives mortality like a consolation or pity. It’s like a participation trophy rather than a reward. She came tenth place but at least she was there sort of thing. She actually begs for it to be taken back, yelling:
“No! No! How dare you! How dare you! You think I wanna be mortal now? After all of this?! Take it back. Please, take it back.”
Carmilla Karnstein – Carmilla Episode 336: “Post Apocalypse”
Then! My lovesick girl, in one of her greatest moments of loss, love and life in three and a half centuries immediately barters this new life away to save Laura! One would think she doesn’t actually want it, but you know who has earned one, who deserves one? (At least from Carm’s view) Laura. More than a few times, in fact. She doesn’t want it. She’s still accepting and moving past her regrets at the moment. But, damn, does Laura need one, so take it Laura! She’ll barter anything for you.
Then, along comes The Carmilla Movie with two things. For one: They finally have the discussion they didn’t have all season. What does their life look like if Laura ages and Carmilla, doesn’t? Can they still do all the things Laura wants to do if Carmilla always looks 25? I think technically Carmilla is 23/24, as she died on her 18th Birthday, but Laura says 25, I believe. Secondly, Laura states that Carmilla earned her life. This is, of course, Laura’s perspective, and from an outside perspective she’s not entirely wrong. Carmilla did face a god after all. Laura may have done the final heavy lifting, but Carmilla risked it all and put everything into it. Need we forget she went into that pit expecting to die? She earned it, even if it was not given in a reward sense, and Carmilla clearly didn’t believe that of herself when she got it. Now, movie Carmilla is really doing the moving forward thing and leaving her regrets behind, which is already a step in the right direction for her.
See, The Movie does a very important thing. It finishes Carmilla’s redemption, and arguably for the first time makes her a willing participant in it. See, Carmilla has been on the path of redemption since before she met Laura, but for a lot of it she either refused to admit it or didn’t want to be. A reluctant redemption arc, if you will.
Most redemption arcs feature the character wanting to do better for one reason or another. Shame, guilt, regret, wanting to earn back your friends favour, a lover’s favour (it happens). Generally, they require the character to have some recognition and understanding of the fact that what they were doing was bad, and what they’re trying to be is better. Sometimes this being better can be one grand gesture, but alas the arc is still there. The reasons, such as earning a lover’s favour, aren’t always noble, but usually early on result in the regret and shame that get us the willing participant in their redemption (See: Spike, Buffy the Vampire Slayer). Catra (She-Ra and the Princesses of Power), for example, is inspired by guilt and probably also her love for Adora. She expects it to be the one grand gesture but when she is saved in spite of her past, she puts the work in to be better of her own volition, just to be a better person and make up for her past. Angel (also, BtVS & Angel) is just all guilt and shame, there’s no denying that about his character. His soul allows him to feel it, and he spends many seasons making up for it. List other examples at your pleasure.
Carmilla, though, spends about two and a half seasons not really displaying any regret of her many years of murder. There’s nothing to say she approved being a part of her mother’s rituals for centuries, and if the dreams/flashbacks in the movie are anything to go by, I think we can say she definitely didn’t want to be a part of Elle’s. Even questioning their part in it, before being shut down by Mattie, but Elle is the first true love as we know. Elle is the spark of rebellion, the beginning of this arc she remains on for the rest of her life. A couple decades buried alive not withstanding, Elle begins this redemption. In effect, it begins a doubt within herself. Her desire for murder seems to become somewhat less frequent, but she’s also quoted as saying
“We’re vampires. A certain amount of murder just comes with the territory.”
Carmilla Karnstein – Carmilla Episode 207: “Arrangements For Living”
Which may just be excuses she’s making to herself, but is possibly a belief she has nonetheless. Nothing says ‘taught evil’ like assuming your nature makes you evil. Carmilla continues to prove that she is ‘not the hero’, but despite her claims her actions frequently prove otherwise.
Needless to say without going to far into it, we know most of her perceived good actions are motivated by her love for Laura and nothing else. She says it herself:
“Until I realised it was because you wanted me to be doing what was right for some reason beyond the fact that you wanted me to.”
Carmilla Karnstein – Carmilla Episode 222: “Compulsory Violence”
So, this in mind. Carmilla’s redemption may have started with Elle, being a distinct choice she made to save Elle (and failed, much to her regret later on), but continues because she loves Laura and does not harbour any love for her mother anymore. Carmilla is not doing things out of any desire to better herself, even though she’s adamant about the fact she does not believe herself to be a good person, she’s doing anything ‘good’ because she believes Laura wants her to. When she no longer cares what Laura thinks after their break up, well, let’s just we saw a lot of blood, even if she did not kill anyone. There’s a lot to be said about how the break up ends up being good for their relationship, but that’s for another post.
We then have Season 3. In which Carmilla’s soul motivation appears to be revenge, rather than redemption, and good or not ‘the end of the world’ isn’t something she seeks out. So, putting an end to that may as well be on her to do list as well, right? Season 3, aside from the primary motivation of revenge, is the first time Carmilla shows some effort for being a better person. The redemption does seem to be more of a voluntary thing, and she’s not doing it because she thinks Laura would like her to anymore. They’re her own actions for her own reasons (revenge or not). This is now a Carmilla choosing good for herself, if still selfishly. Choosing good, but not out of a desire for redemption, not necessarily because she has fully processed any regrets she may have, I don’t think she does before the end of the season. She admits she was hiding behind hopelessness, but she hardly admits she regrets anything, hardly states any recognition that her actions were bad, though she does know they were, or any desire to be better than them moving forward. Former Evil, yes, and while that obviously implies no longer being as such, it doesn’t mean she’s seeking forgiveness (though, Laura would and does give it), or seeking to be redeemed of her actions. While her actions are wholly her own this season and no longer evil, any sort of redemption is simply a byproduct of the still selfish actions. She still favours the violence, obviously. (and at the beginning of The Movie, for if only a joke, this is not forgotten) Her actions in Season 3 are still somewhat for her own benefit, it is satisfying to her to avenge her sister, and the end of the world would be inconvenient if only for the loss of Laura. I doubt she would go for it if she had no personal stakes in it, but I feel the same could be said of a few of them so judge that how you will.
The point, really, with all of this explanation is that this Redemption Arc is completed in its entirety with the sacrifice of her ‘spark’ in The Movie. It is the first thing she does because it is right and selflessly. It benefits her in no way to sacrifice her ‘earned’ life to save her victims. Whether there was other options is a toss up, but Laura likes to believe there was because she, of course, values Carmilla’s life, and the life it has allowed them and could allow them in the future. Carmilla values it just as much, now anyways, with past reflections having been given. This Carmilla is regretful and wishing to move past it. This Carmilla is aware of the better person she could be, and has become in the last five years. Sacrificing this life, that in it’s own way has allowed for such reflections, is the one grand gesture that actually means ‘I want to be Better’. This is her moving forward, completing that arc, even if it requires her to sacrifice the life that allowed her to move forward to begin with. Has she done grand gestures before? Sure, but the key point there is that they were for Laura. This time it’s for her, to be better, to redeem herself. To move past her guilt. Guilt that for the past three centuries, and for most of the series, she didn’t allow herself to feel or even reflect on. Now she has, now she’s wilfully trying to redeem herself.
The sacrifice completes her redemption arc. It’s very well written. Applause to them.
I don’t like it, though.
Narratively? Brilliant. Fantastic. No comments.
Personally? As a fan? No. Just no.
In the repeated words of myself. They may claim now that it doesn’t matter, they will live for now and figure it out as it comes. They still share the same desires for a life, and whatever issues Carmilla’s returned vampirism may cause in those life goals they will find a way through and deal with them as they arise because they love each other. However, your love can be as powerful as you like, and boy, have they proven how powerful their love is, that doesn’t change the fact that in seventy years Carmilla will still look 25 and Laura will be 95. Love can survive a lot, but that age gap? No. Age gap in a loose term here, because we all know Carmilla is actually like three centuries older than her. We are quietly ignoring the fact that it is technically worse than Twilight, because at least Laura has graduated high school! But, you know, visibly, biologically, and in terms of mobility and the type of life a person could lead, there is a massive difference between Care Home age and 25. While I am sure Carmilla would wilfully become Laura’s carer when she reaches such ages, when she can’t stand for herself, or maybe even remember Carmilla… there are limits to what love can move past. The love changes. Even now it’s naive, but that future is odd at best. Laura will not be able to keep up with Carmilla.
Sure, love can survive that. We all take care of our parents, do we not? I don’t believe for a second Carmilla would give up on Laura, she has already bartered her life away for her. She will be there till the end, and then what? Carmilla keeps going, and Laura’s gone. That doesn’t even consider the life complications. How do you have kids when mom doesn’t age? What does life become then? How do the simple pleasures compare in eternity? Sure, there’s not the issue of secrecy in this universe, so we don’t have to worry about that. There’s vegan blood supplements, and Danny is a vampire activist! But what does life become when the extent of Laura’s mobility is knitting and Carmilla could still go clubbing if she wanted to. We know our vampire just likes to spend her days reading, but you see my point, right?
That is a love that is going to require a hell of a lot work, and I’m sure they will both put it in. They have both more than proved how deep that love runs… but, it’s going to be hard and complicated, and what happens when Carmilla’s whole family dies? When it’s just her and Danny. What do they do then?
As I believe they are obviously endgame, and will spend the rest of their lives together as short or long as they may be, I’m not as sad about this as I used to be, or was on my first watch. More thought goes in the more you watch it, and you get comfortable with what you can. I’ve never been happy with it, though. As the Series did not focus on their biology and instead on the basis of their relationship, we know that foundation is strong, it is a relationship literally forged in war, and they will fight their way through any complication that comes to them. You don’t really consider the issue of their biology until Carmilla is given her mortality, and even then only lightly. It only becomes a bigger factor when they discuss it and all their hopes and dreams (kids, and such) in The Movie, and then it’s “Oh, what is life if only one is immortal?”
Sure, they claim they’ll fight their way through it, and based on just everything we know about them, we can assume that’s probably true, but it’s not gonna be easy, and their dynamic is going to have to change and adapt more than either of them are caring to admit right now. There’s no guarantee that even the Hollstein in thirty years will resemble even remotely the one they’re looking at right now, and yes, that is the nature of relationships, but there is some added complication when one of you will remain eternally young and live forever. Complications I would argue neither of them have wholly considered in their declarations of love, but are going to have to consider quickly as they come. They will fight through it because they are Laura and Carmilla, but that doesn’t mean it’s the future I wanted for them.
I’m not saying I approve of Twilight‘s they should both be vampires solution, because that’s not good. No, that’s not the solution. Both being mortals worked. I think it did, it was satisfactory and then you took it away. You showed us what they could have had and then took it away! At the end of the day, I think that’s my issue with it. I know they can and will survive this, but you showed me what they could have had and took it away! Suppose, at least they let her age out of University first. They had a chance at peaceful, domestic, mortal lives, in which they would, to quote Carmilla, “die together”. Now, one of them never will – assuming external factors don’t change that, obviously. They may still be domestic from here on out, but it sure as hell has brand new complications they didn’t plan for.
To conclude this point that definitely got away from me, as it tends to do with Carmilla, I have a new head-canon. See, in my many watches I hadn’t noticed this little fact before, which by the way we are definitely in the double digits and have been for some time in terms of how many times I’ve watched this. In the credits, we see clips of Laura’s career in journalism which include one report which states:
“The first drinkable fountain of youth.”
Laura Hollis – The Carmilla Movie
Do you get it? Do you see what I noticed? We have no confirmation of this, which makes it a fun head-canon for myself, but I like to think that our little mortal human here may have, on a few occasions, taken a sip or two. Extend that youth to spend with her forever youthful girlfriend (and soon wife, I’m sure). For what better way to start a family and a life than in eternal immortality together, for the entire foreseeable future?
It is a good solution? No, better was both being mortal, but it is a solution where Carmilla never has to watch Laura die (again), and Laura never becomes a vampire, which is at least one up on Twilight, and the many adaptations of Carmilla’s character in which she herself is murdered. So, ya know what? With the bar not especially high, I will take this as a win. This head-canon is now implemented in my belief system about them, and how cute an immortal couple they are.

WandaVision
Look, after I finished the Carmilla section I wondered if I should just leave it at that, but as Carmilla was one day of these last two weeks I’m going to keep going with it. Thoughts on Carmilla regularly get away from me, and I apologise. If you’re still here, though, let’s move on to something else that brought me to tears this fortnight: WandaVision.
Far from the first time I’ve watched this. It remains one of the great sadnesses of my life that I cry just a little bit less every time I watch it. Still I, of course, bawled my damn eyes out as she said goodbye. As I do, just about every time.
I think, most people are familiar with the general existence of The MCU and it’s many counterparts, and largely because I don’t want to write an Introduction right now, we’re going to skip that for now.
That said, WandaVision, is the first TV Show at least in the canon timeline after Endgame. Taking place like a mere few weeks after the events of the movie, which is maddening, if you think about it. It would be the first piece of just the entire MCU to finally address the absolute hell they have put Wanda through over the course of her appearances in The MCU.
I adore Wanda. In a way WandaVision is largely responsible for that, but it also helps that I like Elizabeth Olsen also, though I cannot recall if that opinion came before or after watching WV. Regardless, she gives one hell of a stellar performance in this series, and it remains, in my opinion, one of the best TV Shows they have produced as part of The MCU, Agents of S.H.I.E.L.D and Agent Carter aside (which are definitely canon, by the way, fight me). I do believe, that while I had a passive knowledge of The MCU, and had seen parts of or all of the some of the movies on TV from time to time, I was not one to sit down and watch The MCU before WV. I had watched AOS multiple times by the time I watched WV, and was already in love with that. So, I knew enough. I had knowledge of the events of Endgame even if I had literally never watched it before watching WV for the first time. So, I knew what was going on even if I hadn’t seen it.
This made it no less sad as I bawled my eyes out watching the final episodes the first time, and with a degree of crying slightly less each time, still continue to do so. Though, I have now watched The MCU you’ll be glad to know. I have not kept up on it since Doctor Strange in the Multiverse of Madness, I’ll give you a few guesses why, but I consume it in passing still and might pick up the corresponding parts to watch The Marvels, eventually.
For reasons I can never explain I have never been one to chase the hype. I was beyond excited for Doctor Strange: 2, for obvious reasons, and it still took me several months of it being out in theatres before I went to see it. I have my favourite shows I will get excited for new releases of, and then quietly watch them in my own time. I generally only chase the hype of new seasons if I’m already in love with a series. Ya know, for example, I will watch the new season of Good Omens the minute I have access to it, but only because I’m already in love with them and it’s something I can easily and quickly watch from the comfort of my own home. It still took me months after Season 2’s release to stick with and watch it, by the way. Even shows I’ve loved it’s taken me months to get to the new seasons of sometimes. All this to say that I am routinely late to the party, basically.
Which makes it all the more strange that I did actually watch WV in its hype. I think the first few weeks of releases had come out, but as it gained it’s traction I sat down and watched it with my parents, and we kept up on it every few weeks. Worth it, honestly and obviously. The same goes for Wednesday, actually, I watched that in its prime with my mother, I think, but that’s irrelevant for right now.
The thing is, following this, me and my father then began the long and occasionally tedious watch of The MCU in canon order because that’s how Disney+ orders it. It took us months, but we are both now (or, I suppose, were) caught up. I remember bawling at particular parts of Infinity War, which in my opinion is better than Endgame. I now have a distinct knowledge of what the Sokovia Accords are, despite their repeated mentions of them in AOS that I didn’t always understand. Speaking of, I get to point and grin at all the references that I had missed before. It’s nice to know what people are talking about even if you are months or years late.
While I now follow along to what The MCU is up to, I do not follow enough to watch all of it. They lost me when they buried Wanda alive. Though, I do refuse to admit she’s dead.
Regardless, in that effect, I suppose we can thank WandaVision for giving me the motivation to catch up on like a decade of movies. Right before the entire universe began to go down hill. The MCU‘s not what it used to be but I think it’s just adapting to having murdered half its characters, and introducing new ones. I’ll keep giving it the benefit of the doubt, and paying attention enough to see if any of them grab my attention to watch a few months after everyone has stopped talking about them, as I generally do.
I’m realising that this was largely not solely about WandaVision, so with one thought in mind I shall say: Wanda deserved better. I want to read comics, I do and I will, and while I understand she had her fair share of Villain arcs in those, and is generally, traditionally, as such. I’m just saying, MCU Wanda wasn’t really set up that way. She aided Ultron, she regretted it, she went on to redemption and hero stuff! She tried to be a good person and the majority of WV was an accident! She’s been through hell with just one loss after the other and she barely had the time to rest, and then you buried her alive! Whether I believe she is dead or not she still deserved better. WandaVision set her up for better, and then we got MoM, and… Elizabeth Olsen excelled in that movie. She was fantastic, and her performance was engaging and entertaining, she really pulled it off. I’m just saying the story could’ve been better. Not just for Wanda, but for most of them.
There’s no progression. At the end of WandaVision, Wanda seems genuinely regretful of her actions, she has just sacrificed everything she had left for a town of people, and while the end credit scene does potentially set her up for the slightly crazed children hunt (just forgetting Vision all together, apparently), are you really telling me she went from that act of sacrifice to being willing to murder a child to see hers? Show me the progression of how Wanda devolved from what she had achieved, sacrificed and realised to that. She developed and evolved over WandaVision, she accepted her losses and sacrificed her family for the benefit of WestView because she is a good person, Agatha even teased her on what ‘a hero’ would do. In the end, because no one can tell her who she is:
“But I don’t need you to tell me who I am.”
Wanda Maximoff – WandaVision Episode 109: “The Series Finale”
I know this is the moment she accepts the power she’s been told of, maybe even the mantle of The Scarlet Witch, though she doesn’t realise it yet and will not make that declaration till MoM, but you’re telling me after this moment of self declaration, of saving her family only to sacrifice them, she then hunts a teenager across the multiverse, murdering several people, just to see her boys again?
Look, I will allow you to blame that devolvement on the Darkhold, I actually will, but you cannot just jump to it because it’s convenient. Like, that is such a de-evolution that you have to show how it happened. There is not really a work around to that. The only way that flies is if you have already established that that is something the Darkhold does, and because The MCU doesn’t acknowledge AOS‘s existence that means that really the only time we’ve seen the Darkhold before this is in Agatha’s hands, and an evil person does not an evil artefact make. Sure, even if you then retroactively tell me the Darkhold is bad, that it can be corrupting, to my recollection one of the other Strange’s used it and it ended bad, Strange is even quoted saying:
“I know it’s the Book of the Damned, and that it corrupts everything and everyone that it touches.”
Stephen Strange – Doctor Strange in the Multiverse of Madness
That doesn’t really make up for the fact you’ve kind of skipped a huge portion of Wanda’s arc to get here.
WV is in no way a villain origin story, regardless of what the Scarlet Witch may be in the comics. It does not read that way, it is not portrayed that way, in that story Wanda may not be objectively the hero, but by the end of it she chooses to do the heroic thing at great sacrifice to herself. That is not the set up for a character who is about to devolve to child murder off screen. Wanda is a character we adore, if you are going to have her be corrupted by the Darkhold you can not just jump to the consequences of that corruption, you have to show it. I’m not against Wanda being the villain, I’m not. You want to do a Darkhold corruption? You go for it. I am against the idea that WandaVision is an acceptable set up for that arc. It is not, it works in the opposite direction. Even if you want to argue that the one end credit scene showing us her reading the Darkhold and hearing her children’s voices can sufficiently set up this arc, that points more to a fault of The MCU to think that an end credit scene is an appropriate way to display basically like half an arc.
Speaking of that end credit scene, actually, I’ll allow you to think that that is the spark of her de-evolution even if I disagree with skipping so much of it. It can certainly be interpreted that way, it’s not sufficient for the arc they’ve done, but at least it’s something. That scene could’ve led to so much more, though. She could’ve looked for any version of her children. Those voices called out for help, are you telling me they’re the same ones she tracked down and tried to pull from their very happy life? I don’t think so. Our Wanda literally created life, are you telling me they ceased to exist entirely? I don’t think so. Even from the little speculation I saw about this at the time I know there were other arcs they could’ve picked from the comics for this, just from that end credit scene… but, no, we got MoM.
Once again, AOS did a better job with the Darkhold. What a shocker.
Side note: but her making the distinction between Wanda Maximoff and The Scarlet Witch certainly speaks to her own perceptions of those two identities.
“Then it won’t be Wanda who comes for her. It will be the Scarlet Witch.”
Wanda Maximoff – Doctor Strange in the Multiverse of Madness
Two separate people. I suspect to her The Scarlet Witch is a means to an end. The Scarlet Witch will murder America, but it will be Wanda Maximoff who gets her kids back. You see? The absolute leap in development aside. There is still something that should have changed in her mental state and moral compass for her to be able to justify those actions even by dissociating. This does not excuse the narrative neglect even if it is an interesting observation of her character. There is an incredible level of self-delusion going on for her to justify half of her actions to herself (ironic considering she points out Stephen’s “self-deception”). Wanda wants her kids back, to simply be happy, and The Scarlet Witch will allow Wanda to do so. Her mountain crushing, as it were, comes after the realisation of what she’s become, the breaking of those lies. Still, you didn’t let us see the development of all those lies! She really went from ‘What is this power? What have I become?’ to lying to herself, and justifying these heinous actions by splitting them between two people off screen!
Just as a little add on to that, WandaVision ensures to remind you that they have not actually referred to Wanda as The Scarlet Witch early on in the season so they can still make a big deal of it when the reveal comes of essentially The Scarlet Witch’s entire existence, in spite of the general referral to her as The Scarlet Witch for the past few years across the internet. As if it wants to ensure to make the distinction within the canon.
Regardless, she’s not dead, and you can’t convince me otherwise. No body means she’s not dead, I don’t care. I love her too much, and think she is deserving of way more. At the very least, for the love of the gods, A Break.
Also, where the hell is White Vision now? Has he even been mentioned since? Where did he go?
They keep setting up arcs they don’t return to for years, if ever. Sometimes your grand picture just needs to get a little bit smaller. You intertwine everything, but don’t let everything mention or even acknowledge or be affected by everything so what’s even the point? Some movies supposedly in The MCU have gone completely unmentioned by everything else. At least AOS helped tie everything together. Now it’s like, did The Eternals even happen? Did no one see Shang-Chi be involved in a bus literally being chopped in half? Has Wanda even been mentioned since?
I can’t say much because I’ve not kept up enough, but you get it, right?

Other Loves
I think this will largely do for this week. Wow, both of those got away from me.
Regardless I will give a passing mention to Agents of S.H.I.E.L.D, and Veronica Mars which I watched just a few episodes of each. I adore them both and they make me happy regardless. Perhaps I will get into one of them and fall in love for awhile.
Orphan Black, by the way, I am due to watch Episode 407: “The Antisocialism of Sex”, but it looked really sad, so I have not watched anymore of it just now. It looked to be like 45 minutes of them all grieving having lost everything, and to be honest I just was not in the headspace to deal with that when I reached it, and have not gone back to it yet.
These past few days I started Delicious in Dungeon, and as I love Dungeons & Dragons and it has just a shocking amount of similarities, it is satisfying me enough for right now. I may actually finish this one, but then it is yet again, a short one.
I think that rounds us out for the two weeks!
To Conclude
Okay, so this one got away from me twice. I apologise.
I do, however also, thank you greatly for reading to the end if you did! I hope you enjoyed reading it as much as I did writing it and you’ll tune in again in two weeks for the next instalment of Fortnightly Fixations.
Thank you again!
You can follow me on Instagram at: @thebomff or on Threads at: @thebomff
On to the next!
Disclaimer: I do not own any of the images, narratives or characters present or referenced in this post. All rights belong to Marvel Studios, ABC, Kinda TV, BBC America, Disney and all other relevant parties.